學術論文寫作

Keyword: Dictee：

Annihilating Possibilities: Witnessing and Testimony through Cinematic Love in Theresa Hak Kyung Cha's DiCTEE

Nation, Immigrant, Text: Theresa Hak Kyung Cha's Dictee

'What of Partition': Dictee's Boundaries and the American Epic

Unsettling Calls for National Unity: The Pedagogy of Experimental Multiethnic Literatures

Decapitated Forms: Theresa Hak Kyung Cha's Visual Text and the Politics of Visibility

Cross-Cultural Intervention in Twentieth Century American Literary Theory: Another Look at 'Dictee,' 'The Bonesetter's Daughter,' 'Dreaming in Cuban,' 'So Far from God,' and 'Song of Solomon'

Multilingual Narrative and the Refusal of Translation: Theresa Hak Kyung Cha's Dictee and R. Zamora Linmark's Rolling the R's

Translating Grief

Christianity in Contemporary Asian-American Literature: (Mis)-Translation of the Word

Theresa Hak Kyung Cha, D.G. Rossetti, and the 'Art of the Book': A Note on Dictee

Frustrating Colonial Narratives: Writing and the Body in Dictee

Imagining the Mother/Motherland: Karen Tei Yamashita's Tropic of Orange and Theresa Hak Kyung Cha's Dictee

The Dialectics of Sensibility: Theresa Hak Kyung Cha, Thomas Pynchon, Bessie Head, and the Institutionalization of Postmodern Literary Criticism

Modernism in a Transnational Landscape: Spatial Poetics, Postcolonialism, and Gender in Cesaire's Cahier/Notebook and Cha's Dictee

'You See Only Her Traces': Theresa Hak Kyung Cha's Dictee, or the Performance of a Voice

Martyrdom in Korean American Literature: Resistance and Paradox in 'East Goes West', 'Quiet Odyssey', 'Comfort Woman' and 'Dictee'

Suspicious Characters: Realism, Asian American Identity, and Theresa Hak Kyung Cha's Dictee

The Enunciation of the Tenth Muse in Theresa Hak Kyung Cha's Dictee

'From the Multitude of Narratives...For Another Telling for another Recitation': Constructing and Re-Constructing Dictee and Memory/all echo

Writing at the Crossroads of Languages

'In Another Tongue': Body, Image, Text in Theresa Hak Kyung Cha's Dictee

Dictee by Theresa Hak Kyung Cha

Myth, Memory, and Desire: Homeland and History in Contemporary Korean American Writing and Visual Art

Korean American National Identity in Theresa Hak Kyung Cha's Dictee

Performing Writing at the Crossroads of Languages

Baring the Apparatus: DICTEE's Speaking Subject Writes a Response

Reading the Figure of Dictation in Theresa Hak Kyung's Cha's Dictee

Nationalism and Korean American Women's Writing: Theresa Hak Kyung Cha's Dictee

Postmodernism, Readers, and Theresa Hak Kyung Cha's Dictee

Word and Flesh: Materiality, Violence and Asian-American Poetics

A Novena of Rebirth

Tracing the Vampire

Decolonization, Displacement, Disidentification: Asian American 'Novels' and the Question of History

Pears Bearing Apples: Virgil's 'Georgics,' Plato's 'Phaedrus,' Theresa Hak Kyung Cha's 'Dictee'

Tracking the Pacific Rim, Fast and Loose: Censorships, Diasporas, and the Return of the Cultural Uncanny

Unnaming the Same: Theresa Hak Kyung Cha's DICTEE

'Transform This Nothingness': Theresa Hak Kyung Cha's Dictee

Response：

The studies of this single book or several related literary works are mainly focused on postcolonialism, postmodernism, issues of language use, translation, national identity, homeland/motherland, etc.  The formation of the topic is usually a key concept plus the specific literary work, in the case of the study of a single literary work.

Keyword: Spanish > Spanish literature > film adaptation

Teaching Golden Age Theater through Filmic Adaptations

Jean Giono and ‘Platero y yo’: Film Adaptation as an Act of Re-Creation

The Promise of Words, the Promise of Time: Víctor Erice's La promesa de Shanghai and Alumbramiento

The Object of the Gaze and Masculinity: The Portrayal of Don Quixote in Film

Celebrating 400 years of Don Quixote

Theater and Politics in Four Film Versions of the Quijote

Death and the Adorable Orphan: Marcelino pan y vino (1954; 1991; 2000)

The Question of Authenticity: Camus's Film Adaptation of Cela's La Colmena

Spanish Literature and the Language of New Media: From Film Adaptation to Digitized Cultural Interfaces

Literary Adaptations in Spanish Cinema

Narrative Voice in El embrujo de Shanghai: Novel, Promise, Film

Film Representation of Galdos' Female Character in 'Nazarin' (1962), 'Tristana' (1969), 'Fortunata y Jacinta' (Film: 1969, television series: 1987) and 'El Abuelo' (1998)

Artful Relation: Buñuel's Debt to Galdós in Nazarin and Tristana

The Cid Legend in Opera and Film: A Modern Afterlife for Epic and Ballad

Why Is This Absurd Picture Here? Ethnology/Heterology/Buñuel

Cultural Alliances: Film and Literature in the Socialist Period, 1982-1995

Those Obscure Objects of Desire in Luis Buñuel's Spanish Films: Viridiana and Tristana

Sensing an Ending: Predestination in Imanol Uribe's Días contados

Counted Days for the Lone Man: Decentered Masculinity and Ideology Fatigue in El hombre solo (1994), by Bernardo Atxaga, and Días contados (1994), by Imanol Uribe

State Melancholia: Spanish Nationalism, Specularity, and Performance. Notes on Antonio Muñoz Molina

Spanish Film and the Postwar Novel: Reading and Watching Narrative Texts

Blood Wedding: Tradition and Innovation in Contemporary Flamenco

North American Desire for the Spanish Other: Three Film Versions of Blasco Ibáñez's Blood and Sand

Contemporary Spanish Film from Fiction

Josefina Molina's Esquilache: Example of Feminist Film Transformation?

Pedagogy and Pornography: Confronting the Sexually Explicit in Spanish Cinema

Things Are Looking Up for Chusa: Editing the Postmodern in Fernando Colomo's Film Adaptation of Bajarse al moro by José Luis Alonso de Santos

Discourses of Power in the Film Versions of The House of Bernarda Alba and Like Water for Chocolate

Josefina Molina's Esquilache: Film Transformation of Theater

The Cultural Process of Adaptation: Bodas de Sangre

Response:

The best way to study Spanish films is to learn Spanish so that you can read those papers in Spanish!  Some masters are often discussed, for instance Buñuel; some remarkable works are also discussed with frequency, for example, Don Quixote and Blood Wedding.  There are roughly two types of topic formation.  One regards one specific work with a theory or a rather small concept which can be applied to the literary work well.  The other consists of a discussion on some theoretical ideas and then an application of the ideas to examine some related films or roughly discuss the history of films.