EL 1064B: English Oral Training B
Professor Amie Parry
SPRING 2013

Time: Mon 09:00-11:50
Place: A108
Office A105;extension 33215
amie.parry@gmail.com

Course Description:

This course provides a forum for learning to speak speculatively and analytically, while building vocabulary on a topic of great cultural significance. Class discussions will be in-depth, text-oriented, and will require students to apply critical thinking skills in spoken language. After taking this class, students should be able to speak more persuasively and effectively in an English-language academic environment.

The topic for this semester is the Arthurian legend in contemporary literary and visual cultures. The figures and themes of this legend are pervasive in Anglo-American cultures, past and present, so the class will deepen students』 understanding of many other texts taught in the English department. The underlying cultural meanings of the Arthurian narratives are far-ranging and contradictory. As Derek Pearsall puts it, 「the story has been the embodiment at different times of chivalric idealism, patriotic nationalism, spiritual aspiration, the idealization of romantic sexual love, and the fear of sexuality--and the critical and ironic questioning of all these forms of value」 (Arthurian Romance vii).

Class activities will be based on short readings and in-class screenings. The readings include poems (Tennyson』s The Lady of Shalott), excerpts from novels (see below), and scholarly essays. We begin with an in depth discussion on the representation of gender and desire in Tennyson』s Victorian poem and the songs and paintings it has inspired. The following two weeks consist of student presentations of on Arthurian characters, themes and settings, and how they change over time in both literary and visual representations. After this introduction to the legends, we focus on 21st-century renderings of the stories. Our visual narrative texts begin with a 2001 miniseries based on a popular novel of the same name, The Mists of Avalon (1983). The novel has several narrators who together tell the Arthurian story from the POV of its central female characters; the series retells it from the point of view of a single narrator (sometimes in voiceover) Morgaine, or Morgan le Fay, the usually vilified pagan priestess. Next is the 2004 film King Arthur, which casts Guinevere in a new light and takes the Arthurian themes of social justice and national allegiances a step or two further, with critical reflections that resonate with contemporary postcolonial theory. Finally we will consider the fantasy genre』s use of Arthurian meanings and values in the popular contemporary HBO series, Game of Thrones, also based on a best selling novel (in this case it is a set of novels, still being published). Game of Thrones is a contemporary fantasy narrative that incorporates Arthurian elements (the hidden monarch, the nature of just rule, the contradictions of chivalry, etc.). The film and television shows will be viewed with the English subtitles, and vocabulary lists derived from the subtitles will be provided before some of the screenings.

Class meetings will consist of student-led discussions in pairs, groups and/or as a class. The midterm consists of a character-based monologue in which each student will demonstrate an understanding of the themes and issues we have discussed in class, and make ample use of the new vocabulary. The final exam will be a group performance, written and designed by the group, based on the film characters, narratives and gender issues covered in class. Each performance will be followed by an explanation and a class discussion.

Course Policy:

All conversation in this course will be conducted in English. This class requires the full, active and engaged participation of each student. Grades will be calculated according to students』 weekly participation (33%), a presentation (33%), and the final performance (33%). Attendance is mandatory: two unexcused absences are permitted; a third will result in a failing grade for the class. Three tardies equal one absence.

Textbooks:

Course reader, available at Gaoguan.

Schedule:

W1 02-18 Course introduction.
W2 02-25 Lady of Shalott. Tennyson, McKennitt.
Embowered women, weaving women, mirrors, magic, unknown consequences, and dead beauties in boats floating down a river.
W3 03-04 The Arthurian world: individual presentations. Arthurian Romance: A Short Introduction.
W4 03-11 Finish presentations.
W5 03-18

Feminist revisionism: Rewriting Morgan le Fay.
The Mists of Avalon; 「Thoughts on Avalon.」
View Mists; discussion.

W6 03-25 View Mists; discussion.
W7 04-01 Finish viewing Mists; group reports.
W8 04-08 Midterm I: begin character monologues on Mists.
W9 04-15 Midterm I: begin character monologues on Mists.
W10 04-22 Political fantasy retellings: Arthur and Guinevere.
View King Arthur.
W11 04-29 Discussion groups on King Arthur.
W12 05-06 Midterm II: character monologues on King Arthur.
W13 05-13 Arthurian echoes in political fantasy: Game of Thrones.
View Game of Thrones.
W14 05-20 Game of Thrones: discussion with group reports.
W15 05-27 Midterm III: character monologues on Game of Thrones.
W16 06-03 Review.
W17 06-10 Prepare final performances.
W18 06-17 Final performances.
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